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Mark Vogel – “A Quiet Radiant Asterism” a unique op-art painting

$4,000.00

Artist Name:  Mark Vogel

Name / Description: A Quiet Radiant Asterism completed Nov. 4, 2020

Type: Acrylic Painting

Size: ​(in inches): Image 24″ x 24″ x 2″

Condition: Excellent Condition​

Shipping Method: Shipped crated

Shipped From:  Lancaster, PA

Provenance​ / COA: COA is provided by the artist

Sold: Unframed

By using carefully placed squares of precisely chosen colors, my Asterism Series of paintings creates an illusion of an “X” that exists only in the eye and mind of the viewer – but not in the painting itself. Some of these paintings appear to be lit from within, glowing with a natural light. Some give an illusion of falling into an abyss, while others surge like waves on water.

I borrowed the term Asterism from gemologists who use it to describe the “X” that appears in gems such as Star Sapphires. Julian Stanczak’s “Lumina Series” paintings have subtle instances of this effect. I am exploring ways to achieve dramatic use of the Asterism effect in this series.

In a way, my Asterism paintings are akin to the Pointillism works from the 19th century, where small packets of pure color were meticulously placed to create an image when viewed from a distance. Similarly, my Asterism effect relies on the viewer’s perception to construct an image that isn’t physically present in the artwork itself. This series challenges the observer’s interaction with art, making the experience uniquely personal and dynamic. By contemplating these pieces, viewers are invited to explore the boundaries of visual perception and delve into the enigmatic interplay of color and form.

One person commented on one of my Asterism paintings in a juried show: “Like a sunrise on a pixelated screen — this piece takes you back and pulls you forward all at once. A grid of tiny squares shifts from deep purple to electric yellow, glowing with vintage vibes and analog rhythm. Think disco lights, lava lamps, and lo-fi daydreams.” Love it!

Why does that “X” appear in my Asterism paintings? This visual deception is an example of simultaneous contrast.

 

What is Simultaneous Contrast?

Simultaneous contrast, or the contrast effect, is a visual phenomenon where the perception of one color is affected by the presence of surrounding colors. Specifically, the brightness, saturation, and even the hue of a color can be altered by the colors surrounding it.

There are two types of simultaneous contrast: successive contrast and simultaneous contrast. Successive contrast occurs when the perception of a color is affected by the colors that came before it. Simultaneous contrast occurs when the perception of a color is affected by its surrounding colors.

The simultaneous contrast effect is powerful when the adjacent colors are complementary, meaning they are opposite on the color wheel. For example, red and green are complementary colors, as are blue and orange, and yellow and purple. When complementary colors are placed next to each other, they can create a strong contrast effect, with each color appearing more vibrant and intense.

In addition to complementary colors, the simultaneous contrast effect can also occur between colors that are not complementary but are simply different in brightness or saturation. For example, a medium gray color may appear darker when placed next to a white color, and lighter when placed next to a black color.

I enjoy exploring how subtle color changes can create illusions such as Asterisms or a sense of glowing or depth. Here are examples from my Asterism Series of Op Art Paintings. For information on a specific painting or Giclee print, click on the image.

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Mark Vogel Biography

Mark Vogel creates hard-edge, geometric abstract paintings, and digital prints as a contemporary continuation of the Op Art genre. He remains a colorist exploring the interaction of color — investigating how colors create illusions and how colors can evoke unique memories in each of us. Colors can take on symbolic meanings, such as religious or nationalistic connotations, or in everyday life as red means stop or green means go. Colors stimulate, colors relax, and when they are released from a viewer’s preconceptions or cultural constraints, they can take on new meanings. Mark enjoys the role that mathematics plays in his work, and the process of layer upon layer of colors that are applied using varying widths of masking tape to create the final result — which is something that I can’t see until the last piece of tape is removed. As a Contemporary Op Artist, Mark has been primarily influenced by the Op Artists of the 1960s and 1970s — especially Julian Stanczak and Richard Anuszkiewicz, as well as Bauhaus artist Josef Albers. I have been fascinated with the Op Art Movement ever since I bought a Vasarely poster at a psychedelic shop as a ten-year-old in the late 1960s. Mark’s paintings and digital prints rely on arrangements of shape and line, and the choice of precise colors that create structures, flickering, glowing, or a sense of perspective. One example of this perception of a structure is the effect that I call an “Asterism.” This refers to the “X” that appears to the eye but does not exist in the painting and occurs when contiguous colors interact from light to dark or dark to light. I borrowed the term Asterism from gemologists who use it to describe the “X” that appears in gems such as Star Sapphires. Mark has won numerous awards for his art, Including: Silver Award, Abstracts with Red 2022 International Juried Painting Competition, January 2022 Gallery Choice Award, All Abstraction, 2022 International Juried Online Exhibition, July 2022 Best of Show, 2022 Abstract Art Juried Exhibition The Artists’ Space Gallery, December 2022 Honorable Mention, 62nd Annual Community Art Exhibition, Lancaster Museum of Art, June 2024 Honorable Mention, 12th Annual International Juried Art Competition, Teravarna Art Gallery, July 2024 Directors’ Choice Award, Art Fluent, Juried exhibition: “Minimal.” September 2024
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